![]() We can put up with silly characters like this in a 100-minute movie (maybe) but stretching out this kind of unrealistic behavior to seven episodes simply breaks the potential entertainment value by highlighting how unbelievable everyone is forced to be just to get to the next end credits. The main problem with “Echoes” is the most common TV problem of the current era-it doesn’t have the story to support a series. Bomer is always solid, although woefully underutilized here, and the same could be said for Jonathan Tucker, who gives the show a much-needed sense of danger when he appears as Gina’s boyfriend, but then the series wastes his efforts on the aforementioned “here’s what’s going on” episode. ![]() Monaghan settles into her role(s) nicely, struggling at first to distinguish the sisters (although that’s kind of on purpose to support the narrative) but eventually carving out distinct identities for Leni & Gina. It’s a shame because, again, some of the cast is up for the challenge of a twisty soap. “Echoes” has that kind of choppy rhythm that’s more annoying than mysterious. I was reminded of the famous story around “ The Snowman” about not filming the entire screenplay. At times, it almost feels like major chunks of the narrative are missing, like a reader who accidentally skipped a chapter in a book. It gets so you need a flowchart to keep track of the sisters and their secrets. “Echoes” gets downright silly with revelations, ending every other scene with a confusing shock. There is the odd threat of horse thieves in the hills, flashbacks to a burning church, something nefarious happening in a bathtub-Gina/Leni is not just trying to figure out what happened to her sister, she is assaulted by trauma and deceit everywhere she goes. Most importantly, what could Gina have run from that Leni wouldn’t know about already? Changing identities requires complete honesty, right?Īnd yet creator Vanessa Gazy almost immediately muddies the Virginia water with a half-dozen other secrets. It’s also a great hook because it should not only give Leni dueling motives of finding Gina while also keeping everyone around them unaware of the ruse but allow us to question her own sanity given what the sisters have been doing for years. They’re kind of both married to Charlie/Jack and kind of both mother to Mattie. The main secret (in a show full of them) that drives the narrative is that Gina and Leni have been switching places every year on their birthday, allowing one to live the mirror life of the other. “Echoes” opens with Gina’s disappearance, sending Leni home to figure out what happened to her sister. ![]() The two had a daughter named Mattie (Gable Swanlund), and Leni seems well-liked in her rural community while her identical twin enjoys the high life in Hollywood. Leni stayed back in Virginia and married her high school sweetheart Jack ( Matt Bomer). Gina is in Los Angeles with her therapist husband Charlie ( Daniel Sunjata, tragically miscast), and she’s carved out a successful writing career. Monaghan plays twins Leni and Gina, living very different city/country lives when the show opens. By the end, it’s impossible to care about any of these people or what has happened to them, other than to hope the talented cast puts it behind them quickly. And then, almost as if the writers know they need to pull the reins on this runaway horse, the show unfolds the most expository episode of TV I’ve seen in years, explaining it all in the fifth chapter, before limping along for two more. And then it makes the opposite mistake, over-explaining everything about its story through dull flashbacks and interrogation scenes. For four episodes, “Echoes” defiantly makes almost no sense, and not just in a traditional thriller/mystery nature but because of shallow writing and choppy editing. Sadly, the potential of “Echoes” starts to drain before the premiere is even over as it gets goofier and goofier in a way that’s not entertaining but frustrating. ![]()
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